Oct. 24th, 2009

lotesse: (sad!Gwen)
I would be fascinated to see an analysis of historical race - as opposed to historiographic race - then-thoughts, not now-looking-back-at-then-thoughts - in Merlin. Using the non-genetic theories of skin pigmentation - anyone who lived in a hot place would look like that eventually! - and maybe even looking at Celtic Fringe stuff.

I'd even love to see a historiographic reading from someone in the UK re: the Celtic Fringe thing. How does the Irish Morgana look through contemporary UK pop culture? And what would her status as an oppressed person be, historically speaking, in relation to Gwen's?

(Obviously, I'm a white girl living in the US. Race here has a particularly, um, hardcore history here. And also obviously, a lot of the people in this fandom are both chromatic and white people living State-side, so our historiography of Gwen and Morgan sort of has to come from the viewpoint of our history. But I know enough about medieval European race theory to know that I don't know much, and I do think it would be cool to read the show through that lens, as well as the one drawn from our own contemporary culture/life experience.)

eta: if this is problematic wittering, feel free to tell me off. I'm pretty much pulling this out of nowhere, and that subconscious nowherespace does tend to be where the icky programming resides.

Profile

lotesse: (Default)
throbbing light machine

Expand Cut Tags

No cut tags

Most Popular Tags

Style Credit

Page generated Jan. 6th, 2026 03:44 pm
Powered by Dreamwidth Studios